Nor do the numerous vocal stylizations Dylan has adopted over the years—imitated, mocked, but never replicated—mark him as a fraud.The plagiarism charge, perhaps the gravest charge that can be leveled against any artist, is the one that matters, and it is important to look closely and calmly at Dylan’s work, if only to see how the charge misses the point of what Dylan has done, especially over the last decade or so.Dylan would be the first to concede that he has borrowed from other writers and traditional folk and blues musicians from the very beginning of his career. When Bob Dylan was a young musician trying to make it in New York, a tough music critic literally got in his face. She criticised Madonna's cultural influence, saying: "Americans have decided to be stupid and shallow since 1980. Indeed, Joni Mitchell herself told an interviewer that Dylan had explained to her that this was exactly his work method and how his ideas found spark.The idea that Dylan is a faker, unless everything he wrote came out of his own imagination—word for word, note for note—is absurd. Some argue that if Dylan used words and melodies by others on an album of supposedly original material, he ought to find a way to acknowledge as much, instead of claiming those words and melodies under his own copyright. The idea that Dylan is a faker, unless everything he wrote came out of his own imagination—word for word, note for note—is absurd. When Joni Mitchell trashed Bob Dylan in an interview with the Los Angeles Times last week, using words like “plagiarist,” “fake,” and “deception,” the music blogosphere caught fire. Mitchell, 66, attacked her fellow folk musician after an interviewer for the "Bob is not authentic at all. Photo by pixabay A music critic changed the direction of his music, and sometimes writers also need to have that happen as well.
Performed Live As. Critics claimed his lyrics borrowed too heavily from the writing of the Confederacy poet Henry Timrod.
He's a plagiarist, and his name and voice are fake," she said, not appreciating the comparison.
Sean Wilentz on why they—and Joni—are wrong. By those standards, Franz Kafka is an unscrupulous plagiarist as is Aaron Copland and every jazz great.It’s not clear how Mitchell defines “authentic” or what her definition might have to do with Dylan. You are never going to … Almost all of the words and melodies that Dylan appropriated passed into the public domain long ago, and are free to use by anyone. Dylan, an artist, steals what he loves and then loves what he steals by making it new.
Her plagiarism accusation may be linked to a controversy in 2006 over Dylan's album Modern Times. Joni Mitchell lambasted Bob Dylan in an interview for the Los Angeles Times My Back Pages (Bob Dylan, Roger McGuinn, Tom Petty, Neil Young, Eric Clapton & George Harrison) ... FRAU ELFI SINGT — ZIEH DICH AUS (DIE ELENDEN COVER) - Duration: 2:53.
By those standards, Franz Kafka is an unscrupulous plagiarist as is Aaron Copland and every jazz great. As the music critic Jon Pareles has observed, all art—not just folk art—involves conversations with the past, battening on everything that the artist can find in culture and history rather than pretending that culture and history don’t exist. Pristine originality is not just impossible—it is fakery.This isn’t a just matter of law or ethics. “He’s a plagiarist, and his name and voice are fake.
Madonna is like Nero; she marks the turning point."
“Bob is not authentic at all,” Joni Mitchell told The Los Angeles Times in 2010, referring, of course, to Bob Dylan. Just Like A Woman [At Budokan] by Bob Dylan. The critic came up to him and told him: “You are a fake. That is until 2003, when alert listeners noticed similarities between a few lines on Dylan’s highly acclaimed (and aptly named) album It’s a controversy very much of our Internet age. It was in some bar where he was playing. Dylan, an American Civil War buff, made no acknowledgement to Timrod in the album's sleeve notes.
High-profile cases of plagiarism by journalists, memoir writers, and historians have added to the frenzy.At the most basic legal level, the charges of plagiarism are groundless. The melody for “Blowing in the Wind” comes directly from an old spiritual “No More Auction Block,” and on a New York radio show in 1962, Dylan played a new song, “The Ballad of Emmett Till,” and off-handedly admitted that he had stolen the tune from another folksinger, Len Chandler. In her interview, Mitchell also attacked her contemporaries Grace Slick and Janis Joplin, claiming both in their heyday were "[sleeping with] their whole bands and falling down drunk". Dylan’s method was fully in line with what Pete Seeger had called “the folk process,” borrowing freely from others to create something new.Case closed. Mitchell did, at least, have something good to say about Jimi Hendrix, who she described as "the sweetest guy". Only a few folkies complained, and then quickly fell silent—it transpired the complainers themselves had lifted some of their own tunes from others. After Joni Mitchell accused Bob Dylan of plagiarism, the blogosphere exploded and Dylan detractors cheered.
Frau …
https://educate-yourself.org/cn/Is-Bob-Dylan-a-Fake13oct16.shtml Just Like A Woman [Before The Flood] by Bob Dylan & The Band. Joni Mitchell: Everything about Bob Dylan is fake Joni Mitchell, the Canadian singer-songwriter, has lambasted Bob Dylan as a "plagiarist" and a "fake" in a rare interview.
It’s a matter of the illusions we make in order to live, which is one definition of art. That he changed his name from Robert Zimmerman is not exactly news, and it makes him no more deceptive than hundreds of other writers and artists ranging from B. Traven to Judy Garland.
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