I have read the biographical introduction from end to end and consider it a little masterpiece of love. Last fall, two good-sized volumes entitled Incidentally, experiences such as the one mentioned in this poem were not the exception in Whitman's life, but the rule. The words for which he is grasping are mere suggestions for the eternal, unspoken , forever true words. Friendship with men was a necessity for him, he did not avoid women but there was a feeling that for him, women were not much different from men.He never planned to become a poet. To lead his readers to that awareness is the real and innermost purpose of his poetry. His abode Conway found very plain and simple. I remember I say only that woman who passionately clung to me,I see her close beside me with silent lips sad and tremulous.But now of all that city I remember only the man who wandered with me For in the presence of his mother's understanding and ennobling glance, everything had always been open and clearly perceptible. Everything there seemed animated with an apprehension of the future. And in this return, in this return from the depth to the surface, for which those emerging feel a completely new tenderness never known before, there is something of the great human beings of the Baroque, Bernini for example, when he, every morning, went from the Holiest of the Sacraments to his workshop, returned to the lovely iridescence of the earthy dream which can only be dreamed by those who have been beyond, by the awakened.Whitman's relationship to his time, to his people, to his country, is just as his relationship to himself. In spite of this parody's implicit biting criticism, Tucholsky, like other writers critical of Whitman's optimism, nonetheless admired the American as a great poet. But his fear of the uncomprehending prejudice of public opinion led him to regret his openness. Five senses God, the Lord, has given me, in order to find my And yet: Everything is there, everything in its place, ordered and redeemed from all conflict through the powerful rhythm of all occurrences and appearances. In his poems we can eavesdrop on this experience step by step: first it is purely sensual, he sees everything, hears everything, absorbs everything through his senses, but by partaking in creation with his senses, by feeling with all creation, he transforms himself into all creation, he transforms himself into the other. Young men who work with fire hoses and rope ladders are no less to him than the Gods of the old wars:
He had come to know Whitman during an early stay in the United States and, after his return, published an article in which he praised Whitman exuberantly. Although Whitman read much, he was not an eclectic reader, he only absorbed what was already previously in him. His poem "You I Sing, Socialism" was written for the 1990 festival of the Austrian Communist press in Vienna and targets both conservative and Marxist orthodoxies from a libertarian, independently leftist point of view. Thunder on! Here, against nature's background, he first tried out his songs. In it Bahr still stresses the fact that Whitman sings the "modern man."
Because just as his own self needs the contrast in the form of the other for the development of its variety, each period receives its specific character out of the character of all other periods. .with signposts put up by the share prices of the rich,where the efficiency of the cost-effective thing gives up onI see the skyline of the large banks in Frankfurt on the river Main,I see the electronic gadgets of Osaka, Tokyo, Las Vegas,from all the press conferences and discotheques, at leastI sing you against multinational concentration of money and power,I sing you against the images of war—it's not the fault of the poor sing against cardboard box quarters under Waterloo Bridge in Mrs. Man's vision extends beyond that of childhood, comprehends the whole earth and all the spheres in which different suns and plants revolve, and embraces infinity whose secret pervades and transports the visible. . "The thoughtful merge of myself, and the outlet again" he calls it once and the secret of mystical vision could not be expressed more simply: "merge" means getting rid of the self, overcoming the difference, immersing oneself, in Friedlaender's diction, "the absolute zero on the scale of the differentiation of the world." By the mid-1980s, Eckart had become a dissident writer and eventually removed to the United States.The tradition of critical answers to Whitman started by Tucholsky is taken up by the German writer Jürgen Wellbrock and the German-American writer Hans Sahl, but the criticism has become sharper and more pronounced. Walt Whitman Am strand bei nacht (Poesie – text ins deutsche übersetzt) Am Strand bei Nacht. Mann, who publicly welcomed the publication of Reisiger's translation, had been politically conservative. In this way, as well, he is like Goethe: he has become very famous but essentially remained unknown.Something in him attracted people powerfully and remained unforgettable, but they could not explain it. Or rude in my home in Dakota's woods, my diet meat, my drink from the The Other World of our imagination is no other than this feeling.In Whitman, there is not a trace of any of these morbid notions such as God, Other World and supernatural salvation. The fire alarm, with its tinkling of bells and blowing of bugles, summoned thousands of people to the burning scene where firemen—clad in red and entangled with the intestines of fire hoses, ladders, hooks, and ropes—did their work defying death. The body is something miraculous that must be revered. Later, in an American manner, he tried his hand in a variety of professions: he was a printer, teacher, carpenter, journalist, building contractor, etc.
Walt Whitman ja Bill Duckett. We deny such notions, fight against them, but frequently, because they are still in our blood, legacy of our ancestors, we behave as though they were something real and not mere fantasy; with a certain bitterness, we sulk in a tragicomical way as though anything at all were to be expected from them. Whitman's German reception can neither be separated from its broader European context nor from the center of Whitmanite activities in the United States.
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