The ALEXA Mini LF accepts Compact Drives directly, without the need for an adapter. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. This June, ALEXA is 10 years young! A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. A port expander or power module is required to power the camera. The PL-to-LPL adapter, which attaches securely to the LPL lens mount without tools, offers backwards compatibility with all PL mount lenses, be they Super 35 or full frame. Please join us in celebrating with an ARRI TECH TALK Watch this "TECH TALK live" and many more on our video list.Original Cameras Negatives for workflow tests: MXF/ProRes, MXF/ARRIRAW and HDE (*.arx)Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter arrayLF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals)1x LEMO 6pin balanced stereo line in with 12V power outputMVF-2 viewfinder can act as wired remote control with 10m/33ft cableAround 65 W when recording ARRIRAW at 24 fps with MVF-2 attached (preliminary information)-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics Flexible, lightweight, spontaneous, and reliable, the ALEXA Mini LF is always up to the task!Get tips and tricks from Product Manager ARRI Camera Accessories Jeanfre Fachon on how to configure the ALEXA Mini LF to your needs with the latest tools.The first ARRI ALEXA was shipped in June 2010. The drive will be formatted by the ALEXA Mini LF in the UDF format for ARRIRAW and ProRes. Shop Now and Order Yours Today: $649 HDE lowers storage costs, shortens transfer times, and speeds up workflows, which translates to a direct 40% saving in time and money. Strong and durable aerospace-grade aluminium.
I had found the perfect combination: the cameras with a large sensor, large pixels, intense blacks, skin tones in their natural color range, high latitude and versatility and the lenses with unmatched quality optics including a well-balanced relationship between definition, softness and contrast.Cinematographer Javier Salmones AEC (Currently shooting "El Cid", a TV series for Amazon Prime; Known for: La Lengua de las Mariposas, The Retorned, Mallorca´s Songs and many more)Mini Lf fills a very important gap. And now finally there is a way to kind of fit all the different production challenges with the LF model.
Therefore, both ARRIRAW and ProRes can be recorded onto the same media without reformatting or switching drives. RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. A long but worthwhile read!A direct link to a pdf that explains in detail why damage to SDI outputs can occur and what to do to prevent it.Marc Shipman-Mueller explains in this minute-long video why damage to SDI outputs can occur and what to do to prevent it.The ALEXA Mini LF uses the same sensor as the ALEXA LF. Truly, for a cinematographer, less is now more.Cinematographer Tom Stern AFC, ASC (Known for: Changeling, The Hunger Games, American Sniper, Flags of our Fathers and many more)The Mini LF is the camera I have been waiting for. The new viewfinder also needs a mention, it’s clearest and most accurate EVF I’ve ever used.Cinematographer Simon Ozolins ACS ( Known for: The Other Guy, Tomorrow When The War Began; Commercial: Seafolly, RM Williams, KFC, Westfield; Music Video: Empire of the Sun and many more)After exhaustive tests with many cameras and lenses, my choice was clear: ALEXA Mini LF and Signature Prime lenses. It’s built to work in every condition, and this is how it feels when you hold it in your hands.Cinematographer Heiko Knauer (Known for: Stronger, Curtains Falling, Mathilda and many more)With the ALEXA LF, you have everything you need in one body, including higher frame rate. To construct a working configuration for any BRAIN, RED recommends an expander, battery, lens mount, display, and media.NOTE: All DSMC2 BRAINs ship with a standard OLPF; an OLPF 2-pack is available for Skin Tone-Highlight and Low Light shooting environments. Going to the Mini LF was an evolution of that. Nowadays the ALEV III comes to live in different cameras and shapes: ALEXA 65 uses the A3X version - a 65mm sensor - whereas ALEXA LF and ALEXA Mini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame".
I’ve been amazed by the step up in detail with the Mini LF, but also there is something different in the way the sensor handles color, at least in the tests that I’ve done with my DIT, LJ Kim. Recording formats and maximum frame rates of both cameras are shown in the table below.The ALEXA Mini LF (left) has the same dimensions and the same mounting points as the ALEXA Mini (right), except for the media bay on the camera left side. Director & Writer Chelsea Bo (Known for: Cinematic Self-Portraits, TheCavKid, Doritos: Elephant In The Room and many more)Matthew Allard ASC delves deep into the ALEXA Mini LF in the most extensive review yet. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. Easy Mobile Setup. HDE is free-of-charge for use with Codex Capture and Compact Drives, openly shared, and fast: ARRIRAW Open Gate 4.5K can be encoded comfortably at 24 fps on a modern MacBook Pro.Experience behind the scenes with the ARRI ALEXA large-format camera system and its new family member, the ALEXA Mini LF.
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